媒体艺术21讲座系列2025
2025.3.31 – 4.3
联合主办
新时线媒体艺术中心(CAC)、北京大学艺术学院、复旦大学艺术研究院、香港科技大学(广州)计算媒体与艺术学域(CMA)
合作方
媒体艺术 21
*该系列讲座的视频档案将随后通过媒体艺术 21项目的在线讲座门户网站 (https://ma21.org/en/lectures) 提供访问
北京大学图像学实验室
第一期:乔安娜·瑞林斯嘉(Joanna Zylinska)
巡讲日程:
3 月 31 日 | 19:00 – 20:30
《生命-AI》
地点:北京大学艺术学院均斋报告厅(红六楼阁楼)
4 月 2 日 | 14:00 – 16:00
《AI 之后的创造力》
地点:复旦大学邯郸校区光华楼西主楼2501室
4 月 3 日 | 14:00 – 16:00
《AI 与人类理解的终结?》
地点:香港科技大学(广州),E2栋3楼,CMA实验室
新时线媒体艺术中心(CAC)将联合北京大学艺术学院、复旦大学艺术研究院(上海)和香港科技大学(广州)计算媒体与艺术学域(CMA)共同举办 “媒体艺术 21 讲座系列2025”。该系列讲座与媒体艺术 21合作举办。
本系列将邀请多位在计算文化领域具有前沿影响力的学者在广州、上海和北京巡讲。演讲者的研究将涵盖艺术、哲学、人类学、媒体研究等多个领域,探讨人类语境下的关键挑战与替代性的回应方式。活动形式除了讲座模式外,还将通过诸如对谈、讨论会,和工作坊等形式,推动富有活力与学科交叉性的交流。
媒体艺术21讲座系列2025的首期巡讲将邀请英国艺术家、写作者,与策展人乔安娜·瑞林斯嘉教授,通过她的媒体哲学和艺术实践,深入探讨人工智能(AI)对创造力、知识体系及人类体验的影响。
本次巡讲的第一场讲座《生命-AI》(Bio-AI,北京大学艺术学院)将聚焦“生物机器” ——生成式 AI,并结合电影史回溯影像技术作为“灵赋媒介”的演变。她将探讨 AI 是否已成为新的增强生命体验的媒介,并反思其带来的伦理挑战,如技术开采主义及人类未来的不确定性。
在第二场讲座《AI之后的创造力》(Creativity After AI,复旦大学艺术研究院)中,瑞林斯嘉将进一步延展 AI与艺术创作之间的关系,回应社会对 AI 取代人类创造力的焦虑。瑞林斯嘉将批判性地分析围绕机器创造力的叙事方式,并邀请观众重新思考人类在技术变革时代的主体性与目的。此外,艺术家奚雷和周乐亦将介绍他们在CAC驻地期间开发的项目《以农代矿》,进一步剖析 AI 发展背景下创造力的叙事逻辑及认识论框架。
巡讲的最终场《AI 与人类认知的终结?》(AI and the End of Human Understanding?, 香港科技大学-广州,CMA)将超越人工智能的功能主义视角,深入分析 AI 对人类认知模式的重塑,尤其是Stable Diffusion和DALL·E等扩散模型如何改变我们对世界的感知。她将与CMA教授克莉娅·冯·查米尔-韦特(Clea von Chamier-Waite)展开对话,后者将介绍其围绕“物质诗学”(Material Poetics)的研究与艺术实践,并探讨她如何将沉浸式影像环境视作一种多模态场域进行创作,通过空间性的物质诗学探索这种场域的更多可能性。二人将共同揭示新兴技术如何改变传统再现与成像方式下的人本主义框架,进而开启观看与认知在人类纪的全新可能。
Established in 2013, Chronus Art Center (CAC) is China’s first nonprofit art organization dedicated to the presentation, research / creation and scholarship of media art. CAC with its exhibitions, residency-oriented fellowships, lectures and workshop programs and through its archiving and publishing initiatives, creates a multifaceted and vibrant platform for the discourse, production and dissemination of media art in a global context. CAC is positioned to advance artistic innovation and cultural awareness by critically engaging with media technologies that are transforming and reshaping contemporary experiences.
www.chronusartcenter.org
The School of Arts at Peking University is a secondary college under Peking University dedicated to cultivating artistic talent and conducting arts research. It evolved from the Department of Arts established in 2006 and was officially upgraded to the School of Arts in 2011. The school offers a first-level discipline in arts, covering undergraduate, master’s, and doctoral degree education. The school boasts strong faculty resources, including nationally and internationally renowned scholars in fields such as art studies, film and television, and fine arts. It has established cooperative relationships with multiple internationally renowned universities and colleges, conducting extensive academic exchanges and collaborative projects, providing students with diversified learning and development opportunities. The school emphasizes the interdisciplinary integration of arts with humanities and technology, and is committed to cultivating artistic talents with innovative spirit and practical abilities, wielding significant influence in the field of arts education both domestically and internationally.
Established in July 2023 , Fudan Art Institute(FAI) is a research institution that incorporates relevant disciplines across the Fudan University, it connects local or international art museums and organisations, it congregates leading scholars and artists worldwide. FAI initiates its core research area around ‘Traditional Chinese Art , Modern and Contemporary Western Art, Intersection of Art and Technology’. With its main support from the Philosophy of Art Department at School of Philosophy, FAI fosters an interdisciplinary creative platform through documenta exhibitions, curatorial courses, public art events, artist residency programs and museum partnerships.
Computational Media and Arts (CMA) is a research and academic thrust area within the Information Hub, The Hong Kong University of Science and Technology (Guangzhou). As an interdisciplinary program for computational and radical creativity, CMA brings together visionaries with backgrounds in art, design, science, and engineering to think critically, reach beyond convention and make innovation.
Unique among other thrusts and departments at HKUST, the CMA comprises both art and technology, focusing on art creation and visual communication with advanced emerging technologies. Faculty and students work together across disciplines like art with augmented reality (AR) and virtual reality (VR), AI-generated art, information art and design, and data visualization. Art creation and visual communication are carried out in the exchange and collision of art and tech with social impact for the public to understand and enrich their lives, environment and communities.
https://cma.hkust-gz.edu.cn/
Media Art 21 – Practices, Reflections, and Pedagogies of Global Media Art Since 2000 (MA21) is a new bi-lingual online editorial platform co-organized by the Institute of Sci-Tech Arts, Central Academy of Fine Arts and the ZKM | Center for Art and Media Karlsruhe. It addresses some of the most urgent topics of our time through three key themes – Ecologies, Post-human, The Commons. MA21 encourages contributions from potential partners—artists, scholars, critics, and curators—to participate in all constructive ways, making it a rich intellectual resource for the study of media art in the new millennium.
乔安娜·瑞林斯嘉
乔安娜·瑞林斯嘉是一位艺术家、写作者、策展人,同时担任伦敦国王学院媒体哲学与批判性数字实践教授。她也是创意 AI 实验室(Creative AI Lab) 的成员,该实验室是 伦敦国王学院与蛇形画廊(Serpentine Galleries)的合作项目。瑞林斯嘉著有多部学术著作,其中包括 《AI 艺术:机器视觉与扭曲的梦境》(AI Art: Machine Visions and Warped Dreams, Open Humanities出版社,2020,开源) 以及 《非人类摄影》(Nonhuman Photography,MIT 出版社,2017)。作为 “激进开源”(radical open-access) 的倡导者,她担任Open Humanities出版社旗下“媒介:艺术:写作:现在”( “MEDIA : ART : WRITE : NOW” )书系的编辑。她的艺术实践探索不同类型的影像媒介。2013 年,她曾任Transitio_MX05 “生物媒介化”(Biomediations) ——举办于墨西哥城,且是拉美地区最为大型的新媒体艺术节——的艺术总监。目前,她的研究方向聚焦于感知与认知如何成为人类与机器智能之间的边界地带,并探索 AI 时代之后的艺术。她的近期著作《感知机器:在眼睛与 AI 之间的摄影未来》(The Perception Machine: Our Photographic Future Between the Eye and AI)于 2023 年 11 月由 MIT Press 出版。