CAC联合系列讲座 | 人工生命、人工智能、艺术和转化的自然 第三期

日期:2022.09.03 (周六)

时间:20:30 – 22:30

嘉宾:CROSSLUCID、曹舒怡、彭憶歐

学术主持:彭憶歐

语言:英文

主办:艾厂人工智能艺术中心,香港科技大学(广州)计算机媒体与艺术系,新时线媒体艺术中心

项目发起人:吴子薇、李茜、毕昕、曹佳敏

项目统筹:刘赛赛

系列讲座

“人工生命、人工智能、艺术和转化的自然”
第三期:万物聚合

‍如今,人工智能算法被广泛应用于计算生物学和合成生物学等领域。通过硬件、软件和湿件的合成或模拟,技术对自然生命系统的特征进行重组和表现。同时,在人们与非人类实体日趋参与性的互动中,技术合成物也表现得像一个生物体,参与到周遭环境中的协作与共生之中。

在这样一种转变中,生命如何被赋予新的想像?什么是人工智能和生命领域的美学?人工生命如何融入一个共生社区并影响社会与文化?我们又将如何理解这其中所涉及伦理和道德话题?

新时线媒体艺术中心联合艾厂人工智能艺术中心、香港科技大学(广州),共同发起“人工生命、人工智能、艺术和转化的自然” 系列研讨会,旨在汇聚艺术家、科学家和学者,从不同角度探讨如何以及为何创造人工生命——技术是如何在生物灵感的基础上被发明的?以及我们该如何理解技术所呈现出的生物性?这些领域又如何与真实的自然纠缠,并呈现出另一种自然的面貌?

第三期:万物聚合

物质性的本质即缠绕。物质本身总是时刻准备着向“他者”开放,更确切地说,与之缠绕。

—— 凯伦·巴拉德

《半途相遇宇宙:量子物理和物质与意义的缠绕》

 

根据凯伦·巴拉德的观点,缠绕不是简单地与他者交织,如同两个独立个体的联结,反而是一种缺乏独立、自足的存在。在一个不只有人类存在的世界中,各种生物、物体、(非)有机体、力量和物质通过多孔的身体相互缠绕,形成人类和非人类实体的聚合,共同运作,促进社会物质的变化。然而这种复杂的聚合在性质上从来不是统一的,它们需要在不同的实体间共同运作、调节与栖居。

这种聚合体的复杂性、差异性以及多样性是我们试图在这次活动中探讨的主题。我们如何想象一个开放的智能机器生态并将互惠的美学和行星思维纳入人工智能与机器学习中?我们如何从多元的宇宙观与超越人类感知的视角来阐述那些嵌入技术科学进程之中并受其影响的事实与梦想?我们如何与万物相遇,并落入一个由许多世界相互缠绕在一起的世界之中?

本期论坛邀请参与 “缠绕:生物/媒介”展览的艺术家曹舒怡,艺术家团体CROSSLUCID,以及学者和作家彭憶歐来分享她们对上述问题的理解与回应。

《蜉蝣》&《多孔》,曹舒怡,2021 ©艺术家,新时线媒体艺术中心,摄影:朱磊
《渗透通道》(Osmotic Passage),CROSSLUCID,2021 ©艺术家

About the Speakers & Host

CROSSLUCID is an art collective co-founded by Sylwana Zybura and Tomas C. Toth in Shanghai in 2018. They live and work in Berlin and engage in highly collaborative cross-cultural creative processes.
Their interdisciplinary practice encompasses moving image & film, photography, digital 3D techniques, poetic AI and experience-led interventions utilising world-building and experience design strategies. Based on extensive research into the nature of reality; spiritual practices understood through science; the network self or sexuality and intimacy in the digital age, they develop evolving projects often utilising the multi-layered techniques of collage, assemblage, visual essay and networked processes.

Interlacing archetypes and symbols, artificial intelligence and science fiction as well as mythologies from across time and place, they create scenarios and build experiential formats that instigate the prototyping and rehearsing of impending futures and progressing ‘metamodern’ values.
https://crosslucid.zone/

Shuyi CAO (b.1990, China) is a New York-based artist. Shuyi Cao’s practice explores alchemical approaches to object making and knowledge production. Her latest works seek models of reorienting a more-than-human world with intertwined social and ecological uncertainties. Interested in the complex relationship between geological, biological, and technological matters, she creates objects as physical manifestations of this dynamic material reality. They are speculative specimens and archeological fictions with reconfigured natural objects and hand-made artifacts, incorporating chemical and organic processes, moving images, and sound. Her sculptures synthesize multiple mediums including glass, ceramic, silicone, and resin, as well as digitally manipulated and fabricated artifacts. The assemblage suggests heterogeneous temporality, evoking transition and metamorphosis through both material and form.

https://www.shuyicao.com/

yiou penelope peng (oxi pëng | 彭憶歐), previously trained as a pianist and a scholar in cinema studies at smith college, university college of london, is now a phd. candidate at free university berlin for her research on the ‘touch’, ‘transformation’ and ‘interweaving’ among various non- and living beings in performative happenings. she attempts to embody a speculative performance analysis about plants, matter, cyborgs, spirits, aliens and non-definable entities from anthropocosmic perspectives.

yiou practices (embodied writing), creates (psychedelic poetry), and dreams (of pink tardigrade) softly.

http://www.yioupennypeng.com

About the Co-organizers

Aiiiii Art Center (Est. 2021) is an artificial intelligence art institution based in Shanghai. The organisation seeks to support, promote, as well as incubate both international and domestic artists and projects related to intelligent algorithms. Aiiiii Art Center is committed to becoming a pioneer of artificial intelligence through the discovering of exciting possibilities afforded by the intersections of creativity and technology.

Aiiiii Art Center aims to offer insight into the many challenges, practices, and creative modes of artificial intelligence based art. Such aims will be achieved through academic conferences and published research efforts conducted either independently or in collaboration with domestic and international institutions and organisations. This organisation will also actively promote and showcase the exploratory uses of artificial intelligence based art in practice.

The Computational Media and Arts (CMA) Thrust of Information Hub comprises both art and technology, focusing on art creation and visual communication with advanced emerging technologies.

 

As an interdisciplinary program for computational and radical creativity, CMA brings together visionaries with backgrounds in art, design, science, and engineering to think critically, reach beyond convention and make innovation. Faculty and students work together across disciplines like art with augmented reality (AR) and virtual reality (VR), AI-generated art, information art and design, and data visualization. Art creation and visual communication are carried out in the exchange and collision of art and tech with social impact for the public to understand and enrich their lives, environment, and communities.